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  • Hopewell Pipes

    The Hopewell Curved-Base Monitor Pipe
    Steven R. Cooper, EIC
    Originally published in the Central States Archaeological Journal, Vol.57, No.3, pg.144




    Above: Hopewell Pipe from Ohio, 4 inches in length. Len and Jamie Weidner Collection, Westerville, Ohio.

    Pictured above is a Hopewell Monitor pipe that displays the form common to this style, a spool shaped bowl resting on a platform. The material is almost always a brownish-green pipestone found in the Ohio area, and as noted in the picture at the right below, the variation in size is not much. These pipes have been found together in mound excavations, and radiocarbon dating of such examples point to a date of around 125 AD. All exhibit a high polish and show evidence of use in their bowls. The pipe below left is from a Wisconsin Hopewell site, but since it is nearly identical to the Ohio examples, it must have been traded or brought there. Most of the known examples of these pipes were found in excavations of the Hopewell Mound sites around 1900 and only very few reside in private collections.


    Above: Hopewell pipe from Wisconsin, 4 inches in length. Authors Collection.


    Above: The nine pipes shown in this plate are practically of the same type and size and with one exception are of Ohio pipestone. All are from the Hopewell Group, Union Twp., Ross Co. Ohio


    Used by permission of the publisher
    To learn more about or to join the Central States Archaeological Society, click here: http://www.csasi.org/
    I keep six honest serving-men (they taught me all I knew); Their names are What and Why and When and How and Where and Who.

  • #2
    FOUR HOPEWELL FROG AND TOAD EFFIGY PIPES FROM THE SQUIER AND DAVIS COLLECTION

    A link to an article by Michael Rusnak, published in Ohio Archaeologist: Volume 60, Number 1:

    http://kb.osu.edu/dspace/bitstream/h...pdf?sequence=1

    (large downloadable pdf file)
    I keep six honest serving-men (they taught me all I knew); Their names are What and Why and When and How and Where and Who.

    Comment


    • #3
      A Payne Collection Pipe Finally Seen in Color!
      Originally published in the Central States Archaeological Journal, Vol.57, No.3, pg.147

      Click image for larger version

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      This wonderful 2 3/4 inch long Hopewell Pipe of purple pipestone depicts a frog sitting. It was originally part of the Edward Payne Collection, and is shown in black and white in Photographs ofinteresting and Outstanding Speimens of Indian Relicsfivm the Edward W Payne Stone Age Collection on page one hundred eighteen ( inset ). It is from Iowa, and exhibits a high polish and the wonderful and natural styling of all Hopewell effigy pipes.Collection of Len and Janie Weidner, Westerville, Ohio.

      Duplicated from the “Resources” section of arrowheads.com and reproduced with permission.
      Used by Permission of the Author
      To learn more about or to join the Central States Archaeological Society, click here: http://www.csasi.org/
      I keep six honest serving-men (they taught me all I knew); Their names are What and Why and When and How and Where and Who.

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      • #4
        SQUIER & DAVIS RECONSIDERED
        A BRIEF HISTORY OF AND SELECTED PHOTOS FROM ONE OF THE PREMIER
        19TH CENTURY COLLECTIONS OF NORTH AMERICAN ARTIFACTS


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        Few North American artifact collections are more fascinating than the one compiled by Dr. Edwin Hamilton Davis and Ephraim George Squier. Their jointly authored book, Ancient Monuments of the Mississippi Valley, was published in 1848, and had the honor of being the first volume of the Smithsonian Institution's Contributions to Knowledge series. The Smithsonian declined to purchase their collection, Squier and Davis had a serious falling out, and the artifacts were purchased in 1864 by William Blackmore, of Salisbury, England, for $10,000. They were displayed in Salisbury until 1931, and then went to the British Museum. In 2004 the Art Institute of Chicago's "Hero, Hawk & Open Hand" exhibit included several Hopewell animal effigy pipes from the British Museum.

        Ancient Monuments of the Mississippi Valley was an extraordinary overview of major Native American structures in the Ohio River Valley as they existed in 1848. The two men conducted excavations on approximately 200 mounds and surveyed close to 100 earth enclosures in the Scioto Valley of southeastern Ohio. Many no longer exist. Their book includes site and artifact engravings, cross section views of mounds showing soil stratigraphy, and descriptions of original and intrusive burials. Some of these engravings are reproduced here.

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        Squier & Davis gathered over 6,000 objects in and around the mounds and structures they surveyed. The collection in the British Museum consists of 1,300 lots, with up to thirty objects per lot. These artifacts are not limited to Hopewell pieces, butinclude Archaic bannerstones, early Woodland birdstones, Mississippian great pipes, and a host of points, axes, celts, slate gorgets, cache blades, lizard effigies, plumbstones, discoidals, shell beads, obsidian, copper, pearls, mica, and other artifacts.

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        Perhaps the most extraordinary artifacts found by Squier and Davis came from Mound 8 at Mound City, a thirteen acre site on the Scioto River three miles north of Chillicothe, Ohio. The site is now part of the Hopewell Culture National Historic Park. Excavated in 1846, the mound yielded "not far from two hundred pipes, carved in stone, many pearl and shell beads, numerous discs, tubes, etc. of copper, and a number of other ornaments of copper covered with silver, etc. etc." (p.152, Ancient Monuments of the Mississippi Valley).


        This was the largest discovery of Hopewell effigy platform pipes ever recorded. In 1915, William Mills excavated the Tremper Mound, also in Scioto County, Ohio. Mills found 145 intact platform and tubular Hopewell pipes in two caches. These reside today at the Ohio Historical Society Museum in Columbus, Ohio. Many of the Tremper animal effigy pipes bear a strong resemblance to the ones found at Mound City in 1846.

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        Having just one day to examine the British Museum collection, I requested permission to view and photograph Hopewell and Mississippean pipes, as well as any bannerstones (my personal obsession) in the collection. Fortunately, Ian Taylor, a researcher at the British Museum who worked with me, had out a number of other objects from the collection that I was also able to photograph.

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        At the American Museum of Natural History, with the help of senior research assistant Anibal Rodriguez, I was able to photograph many of Davis' plaster casts. This was important as some of the finest pipes in the British Museum are on permanent display inside a glass case, making them impossible to photograph. Flaying seen both the real pipes and their 1850 plaster replicas, I was impressed by the quality of the copies.

        Squier & Davis felt that the human pipes were of tremendous importance, offering an accurate portrait of the people whose culture had created them. Proof of this was demonstrated by the exact sculptures on the animal pipes.

        For me, Hopewell animal platform pipes are in a class by themselves. The soul of each animal is clearly caught by the artist. They are as satisfying to look at today as when they were created, 1°,500 years ago.

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        What are they? Squier & Davis felt they represented, from left to right, a manatee, an otter, and finally a ‘fancy piece’ rather than a real animal. William Mills felt the manatee was an otter, The ‘fancy piece’ is considered by some to be a turtle. Plaster casts in the American Museum of Natural History, New York, Catalog Nos. 1/604, 1/605, 1/603.

        I wish to thank the following people who helped make this article possible:

        -Dr. Richard Townsend, Curator, African & Amerindian Art at the Chicago Art Institute, who gave me an introduction to the British Museum and much encouragement.

        -Mr. Colin McEwan, Department of Africa, Oceania and the Americas, British Museum, for permission to photograph there.

        -Mr. Ian Taylor, Museum Assistant, North American Collections, British Museum, who kindly spent the day with me and was very helpful with the Squier & Davis collection.

        -Dr. David Hurst Thomas, Curator of North American Archaeology at the American Museum of Natural History, for permission to photograph at the museum.

        -Mr. Anibal Rodriguez, Senior Museum Technician at the American Museum of Natural History, for his enthusiasm and help with the Squier & Davis pieces.


        Duplicated from the “Resources” section of arrowheads.com and reproduced with permission.
        I keep six honest serving-men (they taught me all I knew); Their names are What and Why and When and How and Where and Who.

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