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New find old lamp base
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No marks on bottom Ray
Lol on the hide stretcher...Ron
Ya small piece off a handle One
The top still has part of the metal screw in...no holes in it for a cord. but a lot of the first lamps cords went right up to the light socket instead of through the base itself. I was thinking somewhere in the 1900s
I Have Never Met A Rock I Didn\'t Like
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The crown appears to be the “Imperial crown of India”, created in 1911 for George V to wear when he was received at the court of Delhi, since British crown jewels traditionally never leave Britain. Although technically the two following monarchs had entitlement to the crown, it hasn’t been worn since that date. That would likely put it in the early part of George’s reign post-1911 (he was on the throne until 1936).
That doesn't mean it's from India... just that the crown type helps put a date to it. Since it's unmarked it's likely from a generic Staffordshire pottery in England or an oriental import.
I keep six honest serving-men (they taught me all I knew); Their names are What and Why and When and How and Where and Who.
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That's a mark for the Bristol pottery, in a similar format to that used by Richard Champion in the mid-late 18th Century. That doesn't fit with the other aspects of the piece so I would suspect the whole style of the thing is based on an earlier vase or urn from Bristol that has been copied along with the mark... and so most probably an oriental import.
The detail on the piece is a long way from crisp, so I reckon it's been mass-moulded. That panel between the drapes and below the crown would almost certainly have had a painted scene of some kind on an original vase.
I keep six honest serving-men (they taught me all I knew); Their names are What and Why and When and How and Where and Who.
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painshill wrote:
That's a mark for the Bristol pottery, in a similar format to that used by Richard Champion in the mid-late 18th Century. That doesn't fit with the other aspects of the piece so I would suspect the whole style of the thing is based on an earlier vase or urn from Bristol that has been copied along with the mark... and so most probably an oriental import.
The detail on the piece is a long way from crisp, so I reckon it's been mass-moulded. That panel between the drapes and below the crown would almost certainly have had a painted scene of some kind on an original vase.
I Have Never Met A Rock I Didn\'t Like
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[QUOTE]Jeffery Howle wrote:
Originally posted by painshill post=94685That's a mark for the Bristol pottery, in a similar format to that used by Richard Champion in the mid-late 18th Century. That doesn't fit with the other aspects of the piece so I would suspect the whole style of the thing is based on an earlier vase or urn from Bristol that has been copied along with the mark... and so most probably an oriental import.
The detail on the piece is a long way from crisp, so I reckon it's been mass-moulded. That panel between the drapes and below the crown would almost certainly have had a painted scene of some kind on an original vase.
Yes... looking closely I can see that too. I guess it was a transfer cheaply applied on top of the glaze after firing. It couldn't have been lost so easily if it were painted onto the porcelain and then fired. I would still hold to it being post-1911 and the design having been copied from something earlier.I keep six honest serving-men (they taught me all I knew); Their names are What and Why and When and How and Where and Who.
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